New Photo Features
Yannick Cormier: Espiritus de Invierno
The representations of the oldest masks are masks of animals, like those found in the paintings in the Lascaux cave…
Jeremy Denniss: Rise
‘Rise’ reflects upon the historical legacy of the Pequot War, King Philip’s War, and the fear of indigenous people in…
Michael Koch: Left To My Own Devices
The determing element in Michael Koch’s photographic work is transformation. Private individuals change into role models who mingle with art…
Rosa Mariniello: Vitiligo
Vitiligo is a chronic condition characterized by depigmented patches of skin due to the loss of melanocytes.It is affects 1…
Maxim Dondyuk: Untitled Project from Chernobyl
On April 27, 1986 people in cities and villages of the Chernobyl zone heard a notice of a temporary evacuation…
Arseniy Neskhodimov: Safety Cards
Says Arseniy: A few years ago I developed a fear of flying. It’s because I started to look at the…
Faysal Zaman: Red
Says Faysal: I watched my father disappear from me, and leave me and never returned to my life. My whole…
Stefano Stranges - The Victims Of Our Wealth
Accra – Ghana. Its name is Agbogbloshie, but when you look for it, you better ask for “Sodom and Gomorrah”,…
Alena Zhandarova: Hidden Motherhood
Despite its commonness and prose, the topic of motherhood still remains off-limit. It is generally considered that having or adopting…
Alessio Pellicoro: L' altro Deserto Rosso
A project that aims to examine the so-called microworlds born and developed at the edges of Taranto. The current socio-economic…
Diana Cheren Nygren: When the Trees are Gone
Says Diana: Surroundings play a dominant role in shaping experience. I treasure the city and try to make space for…
Ksenia Kuleshova: Ordinary People
The ban on “propaganda of non-traditional sexual relations among minors” was signed into the Russian federal law by Vladimir Putin…
Diego Brambilla: Off The Mark
Off the Mark is a long-term series which moves from an intimate and personal reflection about the relationship between human and nature. It depicts mysterious places at times occupied by a number of installations addressing a sense of inquietude and…
Filippo Venturi: Korean Dream
Between 1905 and 1945 Korea was dominated by the Japanese, thus becoming a colony of the Empire. In 1945, after…
Benjamin Filarski: Above the Hill
After the fall of the Khmer Rouge regime in January 1979, Cambodia left behind depopulated cities. A quarter of the…
Rafael Heygster: I Died 22 Times
War does not only manifest itself as a military conflict on battlefields with clear physical fronts, it also appears more…
Kevin Williamson: New Life
Says Kevin: Throughout my childhood, my family and I would visit the mountains of Upstate New York. After some time…
Lindsey Kennedy: Glass Eye
Glass Eye is an ongoing still-life texture study, capturing mainly discarded objects and leftover materials with medium format color film.…
Mu-En Juang: Avalanche of Everyday Life
Avalanche of Everyday Life is a series depicts the spaces of a student center under renovation, showing the uncommon situation…
Ana Ferrandiz: Origin
“Origin” shows the racism and prejudices that are still present in society, delving into the construction of identity in a…
Taja Spasskova: Isolation
In the project “Isolation” I focus on the issue of isolation and deprivation in times of Covid-19 and the related…
Katya Yanova: Lacuna
Says Katya: This project is a reflection on the lack of understanding between people of different age, language, emotional and…
Roger Grasas: Ha Aretz, the Promised Land
Named after the Aramaic language that was supposedly spoken by Jesus Christ, and referring to the Promised Land, ‘Ha Aretz’…
Stefano Marzoli: Oblivio
Oblivio is a long-term photographic project (2012-2020) born with the intent to tell the story of the European ethnic minorities…
Gleb Simonov: This, Promised
What do we do if a theory of landscape necessitates a theory of everything? Accumulating data breeds new specialties, but…
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